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The $ 1.2 trillion case: Oprah wins, the media loses

Yes­ter­day Perez Hil­ton and the news agen­cy WENN both repor­ted that talk show queen Oprah Win­frey was sued by an unknown aut­hor named Damon Lloyd Gof­fe.

Mr. Gof­fe claims that Oprah sto­le mate­ri­al from him and published it under the name „Pie­ces of My Soul“. Accor­ding to Gof­fe Oprah sold 650 mil­li­on copies of the book for $20 a time, by which he con­cludes that he is owed $1.2 tril­li­on.

But Perez Hil­ton and WENN weren’t the first to break the news: On Wed­nes­day the „Natio­nal Enqui­rer“ repor­ted about the case, using the pre­fix „Bomb­s­hell ENQUIRER.com WORLD EXCLUSIVE“.

Even though neither the „Natio­nal Enqui­rer“ nor Perez Hil­ton qua­li­fy as relia­ble sources, the­re is not­hing wrong about the fact that Oprah got sued by Mr. Gof­fe. But the­re are a few striking details in his plaint and the reports about it.

The obvious one: If you mul­ti­ply 650 mil­li­on by 20, you end up with 13 bil­li­on. At least examiner.com rea­li­zed this part.

The almost obvious one: 650 mil­li­on copies?! The­re are only few books which sold more than 500 mil­li­on copies, three in fact: The Bible, „Quo­ta­ti­ons from Chair­man Mao Zedong“ by Mao Zedong and the Qur’an.

The stran­ge one: The Inter­net holds no evi­dence about a book cal­led „Pie­ces of My Soul“ by Oprah Win­frey. Neither on oprah.com nor any­whe­re else. In fact, there’s lite­ral­ly no men­ti­on of the alle­ged best­sel­ler befo­re the Gof­fe v. Win­frey case got public.

And by the way: It looks like this case first got public on Mon­day when legal affairs blog­ger Micha­el Doyle wro­te that the copy­right inf­rin­ge­ment case had alre­a­dy been dis­missed by Judge Lam­berth. You can actual­ly down­load the Memo­ran­dum Opi­ni­on as a PDF file.

To sum it up: The book does­n’t exist, the claims are ridi­cu­lous, and the case is alre­a­dy dis­missed.

Damon Lloyd Gof­fe had alre­a­dy sued Oprah Win­frey in vain last year, deman­ding only $ 9.9 mil­li­on back then. As Mr. Doyle points out in his blog, Mr. Gof­fe might be a bit … let’s say: spe­cial. In simi­lar cases the plain­ti­ff had clai­med things like:

„My life is been recor­ded and broad­cas­ted sin­ce 2003 via satellite/​cable net­work Bravo/​Bravo 2, who­se parent com­pa­ny is NBC/​Universal, as well as the inter­net under the title ‚the will smith show‘ and pre­vious­ly ‚real world.‘ “

Now Mr. Gof­fe can truthful­ly decla­re that he was the sub­ject of inten­se media covera­ge, for ins­tance at the „Cleve­land Lea­der“, msn.com, starpulse.com, NBC Chi­ca­go and the „Times of India“.

This artic­le is based on the rese­arch I did for ano­ther artic­le at BILDblog.de.

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An open letter to Jack White

The White Stripes‘ „Seven Nati­on Army“ has beco­me the num­ber one anthem to be sung bei drunk peo­p­le in Ger­ma­ny. Some­thing needs to be done:

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A hunger for unhealthy merchandise

I haven’t mana­ged to see „High School Musi­cal 3“ yet (but I pro­mi­se, I will).

Nevert­hel­ess I want to call your atten­ti­on to an inter­view NPR con­duc­ted with Ken­ny Orte­ga, direc­tor of the „High School Musi­cal“ movies.

Con­fron­ted with the ques­ti­on what he’s thin­king about all this „High School Musi­cal“ fran­chise (back­packs, bedclo­thes, key fobs, under­wear, you name it …), he repli­ed with a long, thoughtful sigh befo­re he said:

Well, you know, that’s a tough one for me, you know. Tho­se are the folks that give us the money to make the movies. And I would just say that it’s, you know, the par­ents just have to like … be the ones in char­ge. Disney’s gon­na put out wha­te­ver they can put out. There’s a hun­ger for the mer­chan­di­se, but I also think that, you know, at a cer­tain point, it would be unhe­alt­hy to allow too much of it into an individual’s life.

I think his approach might have annoy­ed Dis­ney as well as many par­ents, who have to explain to their child­ren why they can’t have the HSM lunch box as well. But his approach seems pret­ty honest to me.

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National Public Radiohead

I real­ly like NPR’s „All Songs Con­side­red“ and their „Live In Con­cert“ pod­cast.

Right now you can lis­ten to (and if you sub­scri­be to the pod­cast: down­load) the show Radio­head gave at the end of their US tour on August 28th in San­ta Bar­ba­ra, CA.

Bob Boi­len, who cho­se Radio­head over Barack Oba­ma on that day, wri­tes:

When I think of the best con­certs I’ve seen, I always flash back to Pink Floyd in ear­ly 1972. […]

Radiohead’s show at the San­ta Bar­ba­ra Bowl came as clo­se for musi­ci­an­ship and crea­ti­vi­ty as any show I’ve seen in 37 years. I’ve seen a lot of shows.

Even though I did­n’t like Radiohead’s latest album „In Rain­bows“ that much, I’m alre­a­dy impres­sed by what was (among­st others) on the set list: „The­re The­re“, „Talk Show Host“, „Mor­ning Bell“, „No Sur­pri­ses“, „The Bends“, „Kar­ma Poli­ce“, „Para­no­id Android“, „Ever­y­thing in Its Right Place“, „Lucky“ and – the grand fina­le after more than two hours of songs – „Idio­te­que“.

Click here to lis­ten to Radio­head, live at San­ta Bar­ba­ra Bowl.

[via twit­ter]

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I hope that it got into you

This is a sto­ry about a song.

In 2001, one year after my favou­ri­te band Ben Folds Five had dis­ban­ded, I found the final three new songs they had ever pre­sen­ted live on the Inter­net: „The Secret Life Of Mor­gan Davis“, a swin­ging pop-tune, reap­peared as a b‑side to Folds‘ first solo sin­gle „Rockin‘ The Sub­urbs“ later that year. „Prin­ce Char­ming“, writ­ten and sung by bass-play­er Robert Sledge, was included on the first (and only) EP his fol­low-up-band Inter­na­tio­nal Oran­ge released in 2004. The third one which I had always lik­ed the most, stay­ed miss­ing: „Ame­lia Bright“, writ­ten by Dar­ren Jes­see who had been the drum­mer of Ben Folds Five (the ama­zing bal­lad „Magic“ on the band’s final record was also his tune).

Darren Jessee (photo by Debora Francis)In 2004 I found out the­re was Hotel Lights, Darren’s new band whe­re he now wri­tes the songs, plays the gui­tar and the pia­no and sings. I lis­ten­ed to a few of their songs that were available online and wro­te an email to Dar­ren. I wro­te him that I loved the music of Hotel Lights, but asked him what had hap­pen­ed to „Ame­lia Bright“. Dar­ren repli­ed that a lot of peo­p­le had asked him that ques­ti­on and we stay­ed in touch. He sent me a copy of Hotel Lights‘ self-titled debut album, CT das radio, the col­lege radio sta­ti­on I was working for back then in Bochum, Ger­ma­ny pro­ba­b­ly beca­me the first Euro­pean radio sta­ti­on to ever play the band and when­ever I met someone who was working for the music indus­try I told him about Hotel Lights (I’ve only done this twice, the other band being Kili­ans who had more luck in achie­ving a record deal in Ger­ma­ny.) In 2006, Hotel Lights released an EP cal­led „Good­night­good­mor­ning“ which came up with beau­tiful folk-based pop songs once more. You might have lis­ten­ed to their song „A.M. Slow Gol­den Hit“ on „Grey’s Ana­to­my“ wit­hout kno­wing it.

A few weeks ago I lear­ned that Hotel Lights would release a new album cal­led „Fire­cra­cker Peo­p­le“ – and on their MySpace site I stumb­led across their ver­si­on of „Ame­lia Bright“ at last. I don’t know whe­ther it’s becau­se I had alre­a­dy loved the song for seven years, but it’s beau­ty lite­ral­ly struck me. It was even bet­ter than the ver­si­on Ben Folds Five had done – pro­ba­b­ly becau­se this time the sin­ger was the man who had writ­ten the song: Dar­ren Jes­see.

Even though „Ame­lia Bright“ sticks out of „Fire­cra­cker Peo­p­le“ (and was used as a trig­ger for this artic­le by me so ine­le­gant­ly), the other songs are by no means worse. The music of Hotel Lights reminds me of artists like Ron Sexs­mith, Josh Rou­se and Spark­le­hor­se (Alan Wea­ther­head of Spark­le­hor­se co-pro­du­ced the record and play­ed the gui­tar). It sounds autum­nal­ly, melan­cho­lic and peaceful to me and I ima­gi­ne dri­ving through small Ame­ri­can towns and into deser­ted land­scapes – images Dar­ren Jes­see says he’s okay with.


HOTEL LIGHTS „Blue Always Finds Me“ from Fire­cra­cker Peo­p­le on Vimeo.

Click here to read a full-length inter­view with Dar­ren Jes­see of Hotel Lights.

Hotel Lights - Firecracker People (Album cover)
Hotel Lights – Fire­cra­cker Peo­p­le

Release date: August 19, 2008
Label: Bar/​None